Lucia saks uses south african cinema as a lens through which to view cultural changes resulting from the end of apartheid in 1994 she examines how media transformed the meaning of race and nation during this period and argues that as apartheid was disbanded and new racial constructs allowed south africa quickly sought a new mode of representation as a way to distance itself from the . In 1994 south africa was emancipated from apartheid and in 1996 a new democratic constitution was released this charter envisioned a progressive society and placed emphasis on equality multiculturalism reconciliation and freedom the state targeted the cultural industries including cinema to carry this new vision to the nation. The cinema of south africa refers to the films and film industry of the nation of south africa many foreign films have been produced about south africa usually involving race relations one south african film to achieve international acclaim was the gods must be crazy in 1980 set in the kalahari
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